Marvel films: Why bad guys should go good
I think if you look at those characters, you will notice that the majority have not been adapted from their comic book counterparts, in fact some have been created inspire of. As you well know the comics present three dimensional characters. In many cases, these cinematic creations are bastardized simplistic adaptations. Whiplash for example was an amalgamation of two characters. The Mandarin was similar in name only.
I, must say, there should be a greater attempt at adapting the source material rather then creating something new. This perspective killed the first Batman franchise, nearly destroyed Superman and has put asunder many others, Daredevil comes to mind. (It was not Afflecks fault that movie failed.) When looking to actual characters that utilized the source material to their advantage we find detailed portrayals. Ledger’s Joker comes to mind and also Otto Octavius in Spider-Man 2, and obviously, Magneto. Your assessment of Loki is a tad subjective. Tom Hiddleston is known to be quite the fan. Though sometimes he deals with very poor writing, some of his stuff in Dark World was less then stellar, he usually cranks out a balanced performance informed by Loki’s need to be vindicated by his adoptive father. But he’s a diamond in the rough.
- Loki Is The Only Good Villain In Marvel Movies– And That’s A Big Problem (cinemablend.com)
- Loki to be bisexual and occasionally a woman in Agent of Asgard (metro.co.uk)
- Tom Hiddleston wanted to play Thor, not Loki – video (digitalspy.co.uk)
- Tom Hiddleston Would Pick Lady Sif to Play Female Loki (screenrant.com)
Despite working with decades of material, the Marvel film continuity is – so far – almost void of bad guys who are anything but, well, bad. While cardboard, power-hungry world destroyers can be fun, they certainly aren’t enough to carry the antagonistic side of an entire franchise.
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